Bach Cantatas, Vol 11 BWV 136, 138, 95, 46 Bach Collegium Japan Suzuki

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No Opera Vocal de la marca Bis

• Marca: Bis
• Categoría: No Opera Vocal
• Dimensiones: 5.55 x 4.97 x 0.54 pulgadas
• Calificación: 3,5/5
• Valoraciones: 5

Datos técnicos destacados

• Dimensiones reportadas: 5.55 x 4.97 x 0.54 pulgadas (14.1 x 12.6 x 1.4 cm).
• Peso aproximado: 3.9 Onzas.
• Calificación promedio de 3,5/5.
• 5 valoraciones visibles.

Preguntas resueltas

Tienda The four cantatas on this release--volume 11 in the Bach Collegium Japan's survey of Bach's sacred music--aren't well known, even among Bach lovers. But fans probably will recognize some of the music: for example, Bach subsequently adapted the rollicking opening chorus of BWV 136, Erforsche mich, Gott, for the finale of his "Lutheran" Mass in A; the melancholy title chorus of BWV 46, Schauet doch und sehet ("Behold and see"), became "Qui tollis peccata mundi" in the Mass in B Minor. Surprises of recognition like these are always enjoyable, of course, but there are plenty of unfamiliar delights on this disc, too. For instance, there's an unusual format: two works, BWV 138 and BWV 95, lack the elaborate chorus that typically begins a Bach cantata; they consist mostly of passages of recitative (arioso, really) intercut with lines of a chorale melody in a sort of dialogue. A number of other nice surprises involve Bach's ingenious use of instruments. For example, that jolly chorus in BWV 136 features a bravura part for corno da tirarsi (slide horn), an instrument that BCJ brass expert Toshio Shimada reconstructed himself for this recording. The arioso-chorale "dialogue" in BWV 138 has a pair of oboes twisting their notes around the singers' parts like decorative vines; in BWV 195 those oboes join the tenor in a graceful aria as pizzicato strings flutter softly around them. BWV 46 has two recorders swirling through the disconsolate opening chorus; later on, there's an alto aria without strings or continuo--it calls for only those two recorders, with the oboes playing a "walking" bass line in unison. (By the way, countertenor Kai Wessel sounds notably more confident and less hoot-y there than in the alto aria of BWV 136.) Finally, more bravos go to Peter Kooy, who tosses off two coloratura bass arias with confidence and gusto. --Matthew Westphal

Detalles del producto Dimensiones del paquete : 5.55 x 4.97 x 0.54 pulgadas; 3.9 Onzas Fabricante : Bis Producto en Tienda desde : Enero 20, 2007 Etiqueta : Bis ASIN : B000038ICX Número de discos : 1 Clasificación en los más vendidos de Amazon: nº605,794 en CDs y Vinilo (Ver el Top 100 en CDs y Vinilo) nº1,585 en Cantatas nº6,542 en Lejano Oriente y Asia (CDs y Vinilo) nº91,631 en Clásica Opiniones de clientes: 3.5 de 5 estrellas 5 calificaciones Dimensiones del paquete : 5.55 x 4.97 x 0.54 pulgadas; 3.9 Onzas Fabricante : Bis Producto en Tienda desde : Enero 20, 2007 Etiqueta : Bis ASIN : B000038ICX Número de discos : 1